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Showing posts with label Straight to Hell. Show all posts




Showing posts with label Straight to Hell. Show all posts





Sunday, 25 July 2010



STH (STRAIGHT TO HELL), THE MANHATTAN REVIEW OF UNNATURAL ACTS AT WHITE CUBICLE






CENTRE FOR THE AESTHETIC REVOLUTION (1)
CENTRE FOR THE AESTHETIC REVOLUTION (2)
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CENTRE FOR THE AESTHETIC REVOLUTION (9)
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STH selected film programme

CENTRE FOR THE AESTHETIC REVOLUTION (11)
Mr. Billy Miller and Jan Wandrag

CENTRE FOR THE AESTHETIC REVOLUTION (12)
Tariq Alvi and Esther Planas
CENTRE FOR THE AESTHETIC REVOLUTION (13)
David Waddington reading out of the pages of STH

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artist Sina Evil doing the ribbon cutting

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Sina Evil inside the cubicle

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boys outside the George!

STH: STRAIGHT TO HELL AT WHITE CUBICLE: AN INSTALLATION BY JAN WANDRAG
Saturday 24 of July 2010, 8PM to Midnight
White Cubicle Toilet Gallery at The George and Dragon Public House
http://www.whitecubicle.org
join White Cubicle group on Facebook

White Cubicle is beyond honoured to present an exhibition by STH (STRAIGHT TO HELL) The Manhattan Review of Unnatural Acts.

Conceived and founded by cult writer Boyd McDonald in the early 1970s, STH quickly gained a large following and underground notoriety due to a combination of graphic sexual content, radical politics and stinging wit. The unique concept of Straight To Hell remains unchanged until today: readers are invited to send to the magazine their accounts of true sexual experiences. Over the decades Straight To Hell has become an infamously comprehensive and uncensored library of hom*osexual practice and identity, resulting in a uniquely democratic and powerful collection of sexual, bizarre, funny, and raunchy stories documenting the real sex lives of a wide range of real men. For the exhibition at White Cubicle, STH Presents an Installation by Jan Wandrag. Wandrag will use specially created wallpaper as a backdrop on which to present a "brief" bibliography of Straight to Hell. The exhibition will create a space for the enjoyment of the reader-written sex stories featured in STH.

STH:
STRAIGHT TO HELL “The cumrag of the stars” A.K.A.; The Manhattan Review Of Unnatural Acts Also known as: The New York Review of co*cksucking, The North American Horndog Reader, The New Amsterdam Journal of Trade, The Manatus Raunch Gazette, The Uranian Spurting Times, Feeled and Creemed, Splorch Illustrated, etc. (THE official organ of: The Great East Ball Lickers Union - local 6942, W.H.O.R.E. International, and, The Society For The Preservation Of Quality blow j*bs.) - Now in its fourth decade of service to the international pervert community. STH publishes true reader-written sex histories - and raunchy pics. Began in 1973 by cult writer Boyd McDonald (1925–1992), and continued by second editor Victor Weaver, STH is currently published and edited by Billy Miller.
http://www.straight-to-hell.net/

BILLY MILLER:
NYC artist/writer/and independent publisher Billy Miller has exhibited his artwork internationally at; P.S.1/MoMa, D'Amelio Terras Gallery, John Connelly Gallery, L.A.C.E., Yerba Buena Center for the Arts, Edlin Gallery, Center For Book Arts NYC, Team Gallery, Kunstverein München, Dietch Projects, Gallerie du Jour Paris, Glory Hole at the Architecture Foundatation London, The Jersey City Museum and other galleries and cultural institutions. His writing has appeared in INDEX, BUTT, K48, WON, NY Arts, VICE, and elsewhere. And he is the publisher of S.T.H., When Johnny Comes Marching Home Again, No Milk Today and numerous other independent publications.

JAN WANDRAG:
Jan Wandrag was born in South Africa and currently lives in New York. He loves to collaborate and is currently working on a video project with filmmaker and BUTT editor Adam Baran. He also designed the independent publication When Johnny Comes Marching Home Again with Billy Miller - and has created installations for a number of group shows curated by Billy - including, "Straight To Hell: In co*ck We Trust" at Exile Gallery Berlin, "Artist as Publisher" at The Center for Book Arts in New York, and this summer's blockbuster exhibit "Lost Horizon" and "Head Shop" also in Berlin. Additionally, Jan's art has been exhibited across the US, Africa, and Europe and featured in publications such as The New York Times, Kaiserin, The/End, Crush, Butt, NY Arts and K48.
http://janwandrag.com/

THE WHITE CUBICLE TOILET GALLERY measures 1.40 by 1.40 metres, is located within the Ladies Toilet of the George and Dragon, and works with no budget, staff or boundaries. White Cubicle presents a discerning programme of local and international manifestations as an antidote to London’s sometimes extremely commercial art scene. Past exhibitions have included the work of Deborah Castillo, Gregorio Magnani, Butt Magazine, Federico Herrero, Terence Koh, i-Cabin, Steven Gontarski, Pixis Fanzine/Princess Julia and Hanah, General Idea and avaf, Basso Magazin, Carl Hopgood, Giles Round, Tim Noble and Sue Webster, Superm, (Brian Kenny and Slava Mogutin), Elkin Calderon, Wolfgang Tillmans, Calvin Holbrook/Hate Magazine, Husam el Odeh, Simon Popper, Fur, Dik fa*gazine, Rick Castro/Abravanation, Jean Michel Wicker, Noki, Ellen Cantor, Karl Holmqvist, Julie Verhoeven, Aldo Chaparro, Esther Planas, Nikos Pantazopoulos, Luis Venegas, Twinklife, Rocky Alvarez, Benedetto Chirco...






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EXHIBITIONS, PROJECTS AND TEXTS BY PLB





  • * EXHIBITIONS AND PROJECTS BY PLB


  • * TEXTS BY PLB


  • * BIENNALE AND EXHIBITION REPORTS




CENTRE FOR THE AESTHETIC REVOLUTION (19)






ABOUT ME



CENTRE FOR THE AESTHETIC REVOLUTION (20)


Pablo Leon de la Barra




"At the end of the fifteenth of his 'Letters on the Aesthetic Education of Mankind' Schiller states a paradox and makes a promise. He declares that ‘Man is only completely human when he plays’, and assures us that this paradox is capable ‘of bearing the whole edifice of the art of the beautiful and of the still more difficult art of living’. We could reformulate this thought as follows: there exists a specific sensory experience—the aesthetic—that holds the promise of both a new world of Art and a new life for individuals and the community. There are different ways of coming to terms with this statement and this promise. You can say that they virtually define the ‘aesthetic illusion’ as a device which merely serves to mask the reality that aesthetic judgement is structured by class domination. In my view that is not the most productive approach..." from
Jacques Rancier, 'The Aesthetic Revolution and its Outcomes', New Left Review 14, April-March 2002

View my complete profile



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SHORT BIO


Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association, London. He has curated among other exhibitions ‘To Be Political it Has to Look Nice’ (2003) at apexart and Art in General in New York; ‘PR04 Biennale’ (2004, co-curator) in Puerto Rico; ‘George and Dragon at ICA’ (2005) at the ICA-London; ‘Glory Hole’ (2006) at the Architecture Foundation-London; ‘Sueño de Casa Propia’(2007-2008, in collaboration with Maria Ines Rodriguez) at Centre de Art Contemporaine-Geneve, Casa Encendida-Madrid, Casa del Lago-Mexico City, and Cordoba, Spain; ‘This Is Not America’ at Beta Local in San Juan, Puerto Rico (2009); ‘Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere’, at the CCE in Guatemala (2010); ‘To Know Him Is To Love Him’, Cerith Wyn Evans at Casa Barragan, Mexico City (2010); ‘Incidents of Mirror Travel in Yucatan and Elsewhere’, at Museo Tamayo, Mexico City (2011); 'Bananas is my Business: the Southamerican Way' at Museu Carmen Miranda, Rio de Janeiro (co-curated with Julieta Gonzalez, 2011); 'MicroclimaS' at Kunsthalle Zurich (2012); 'Esquemas para una Oda Tropical', Rio de Janeiro, 2012; 'Marta 'Che' Traba' at Museo La Ene, Buenos Aires (2012); Novo Museo Tropical at Teoretica, San Jose, Costa Rica (2012); Museu Labirinto / Museum of Unlimited Growth, ArtRio, Rio de Janeiro (2012); The Camino Real Arcades, Lima, Peru (2012). PLB has acted as advisor and/or art curator for the following art fairs: Pinta/London (2010-12), Maco/Mexico (2009-1012), Circa/Puerto Rico (2010), La Otra/Bogota (2009), ArteBA/ Buenos Aires (2012), ArtRio/Rio de Janeiro (2011-2013). León de la Barra has written amongst other publications for: Frog/Paris, PinUp/New York, Purple/Paris, Spike/Austria, Tar/Italy, Wallpaper/London, Celeste/Mexico, Tomo/Mexico, Rufino/Mexico, Ramona/Buenos Aires, Metropolis M/Amsterdam, Numero Cero/Puerto Rico. PLB has also written texts for many artists and exhibition catalogues, lectured internationally and participated in many international symposiums where relevant topics to arts, culture and society have been discussed. PLB was co-director of ‘24-7’ an artists-curatorial collective in London from 2002-2005 and artistic director of ‘Blow de la Barra’ in London from 2005-2008. From 2005 to 2012 he was curator of the White Cubicle Gallery in London, a community art space which he also founded. He is also founder of the Novo Museo Tropical, a museum yet to physically exist somewhere in the tropics and curated the First Bienal Tropical in San Juan Puerto Rico (2011). He is also the publisher of Pablo Internacional Editions and editor of his own blog the Centre for the Aesthetic Revolution. He lives and works between London, Mexico City, Los Angeles, Rio de Janeiro, Sao Paulo, San Juan, Bogota, Lima, Athens, Beirut...




CENTRE FOR THE AESTHETIC REVOLUTION (22)





SOME RECENT PROJECTS, SOME NOT SO RECENT



2015: Temporama/Dominique Gonzalez-Foerster at MAM, Rio de Janeiro


2012: Museu Labirinto / Museum of Unlimited Growth, Rio de Janeiro


2012: Letter from Oscar Niemeyer's unfinished 'International Fairground' in Tripoli, Lebanon



2012: Novo Museo Tropical presents Museo Banana and Cinema Tropical at Teoretica in Costa Rica



2012: Marta 'Che' Traba, an exhibition on two latinamerican ideological idols, at Museo la ENE, Buenos Aires



2012: Esquemas para una Oda Tropical, Rio de Janeiro



2012: MicroclimaS at Kunsthalle Zurich

2011: Gran Bienal Tropical, curated by Pablo Leon de la Barra at La Comai in San Juan, Puerto Rico

2011: 'Savage Lava Jungles' my contribution to the Serpentine Gallery's Garden Marathon

2011: 'Bananas is my Business: The South American Way' at Museu Carmen Miranda, Rio de Janeiro

2011: '23 de Janeiro': Ideal Demonstration Apartment, ArtRio, Rio de Janeiro

2011: 'Incidents of Mirror Travel in Yucatan and Elsewhere' an exhibition by PLB at Museo Tamayo

2011: Novo Museo Tropical Architecture

2010: 'Diagrama Tropical' an attempt to construct a tropical history

2010: 'Paisaje Inutil: A Notebook on Cities and Places', a special edition of Pablo Magazine

2010: Mies Cruising Pavilion Montjuic, an unauthorised exhibition in the Barcelona Pavilion

2010: Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere... at CCE, Guatemala

2010: Cerith Wyn Evans at Casa Barragan, Mexico City

2009/10: The Next Documenta Should be in Brasilia

2010: Tristes Tropiques at The Barber Shop in Lisboa

2010: Somewhere Over the Rainbow, CircaLabs, San Juan, Puerto Rico

2009: Abstract Reality, Cooperativa Internacional Tropical in Bogota

2009: Novo Museo Tropical Manifesto

2009: This Is Not America, San Juan, Puerto Rico

2009: El Noa Noa, Bogota, Colombia

2009: Dominique Gonzalez-Foerster and Pablo Leon de la Barra, conversation at Tate Modern

2009: Rotterdam Dialogues: The Curators at Witte de With

2008: Lessons on Psicotronica Tropical, Rio de Janeiro

2008: Case Study Houses: Pablo Magazine Special Issue

2008: Sueño de Casa Propia, Mexico City
2008: Sueño de Casa Propia, Cordoba, Spain
2007: Sueño de Casa Propia, Madrid
2007: Sueño de Casa Propia, Geneva

2006: Glory Hole, an exhibition

2006: Guia do Copan/CopaCopan Day, Sao Paulo

2005: George and Dragon at ICA

2004: Jogging Tour, Mexico City

2004: Olympic Village, Puerto Rico Biennale 2004

2003: To Be Political It Has To Look Nice, apexart, New York

2003/to today: Selfportraits at Airports

2002: The Artist as Ethnographer, Museo del Cerro, Puerto Rico




CENTRE FOR THE AESTHETIC REVOLUTION (23)





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    falla de cortante (marcela quiroz)



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    marcelo krasilcic



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    matthieu laurette









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    mañanarama (mario ballesteros)



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    milena muzquiz









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    OTRO



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    Sideshows



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    The Life and Times of Katy Daus










CENTRE FOR THE AESTHETIC REVOLUTION (65)







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